Mix one part Something Corporate, two parts synth

Over the last week or so I have been giving Owl City’s most recent record, Ocean Eyes,  a proper listen. Yes, I realize that I am far from being on the bleeding edge of new music – but I have a job and responsibilities so what do you want?

I know that everyone and his monkey has already gone on and on about how much Adam Young’s style is like a less developed Postal Service.  And I freely admit that the first time I heard Fireflies I thought for sure that The Postal Service had finally released a new album. I was in the mall at the time, so I immediately made my way to the nearest record store, only to be disappointed to discover that no one had heard anything of a new album.

But this afternoon, on my way home from work, I realized that I could hear another major influence – Something Corporate!  Now the more I listen, the less I hear Ben Gibbard and the more I hear Andrew McMahon.  Owl city is exactly what I would expect to hear if McMahon happened to be locked in a room with a synthesizer.

Need proof? Go listen the Something Corporate’s Songs for Silent Movies (any song will do), and then Owl City’s If My Heart was a House.

See what I mean?

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